Marine Court, St. Leonards-on-Sea

Marine Court, St. Leonards-on-Sea
... along the prom ...

Saturday, 12 October 2013

The Best Building in London - The Natural History Museum

This wonderful Romanesque entrance doesn't lead into a cathedral but to my favourite London building, the Natural History Museum, on Cromwell Road. The temporary barriers don't enhance the appearance, but are sometimes necessary for crowd control in a building which has almost five million visitors each year.


I was first taken to the Natural History Museum when I was just five or six and I fell in love with the building before we even got inside. The exterior of the building is covered with statues, gargoyles and plaques of creatures which were hand-modelled and then cast in terracotta. I was fascinated by the plaques around the gates which depict mice and squirrels.


Plaque depicting three mice on a gatepost
 outside the main entrance.
No creature is too insignificant, everything from mice and beetles to wolves and sabre-toothed tigers are sculpted.

Pterodactyl plaque on the roof
Large statue of a Sabre-toothed cat
on the West tower, stylised to appear
heraldic - the head was cast separately
Small plaque of a crab on a mullion between
lower ground floor windows









The designs were individually sketched by Alfred Waterhouse, the Liverpool architect who was responsible for the whole building. His sketches were then sculpted and cast by a firm of terracotta manufacturers Farmer & Brindley. The named sculptor is M. Dujardin,
his first name was possibly Oscar or Hubert. He is thought to have been French but little is now known about him.

The building's two wings depicted different groups of creatures, those ornamenting the exterior of the West wing were extinct, those on the East wing were, at the time they were modelled, still surviving. Some larger sculptures had to be cast in more than one piece and certain creatures were given heraldic stylisation.

Today the building is in a much better state than when I first saw it. The exterior was cleaned of a century's worth of London soot and grime in the 1970's, I remember it as being  all black. Now the detailed terracotta can be enjoyed in all its glory.

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